Konrad Smoleński is an artist working in different fields, often collaborating with other artists and musicians. He works and lives in Warschau and Bern. His works are often big and sculptural, connected to sound or video.
His work “Everything Was Forever, Until It Was No More”, is a sculptural instrument written for two bronze bells, two walls of loudspeakers and resonating objects, in this case resonating lockers. The composition links the rich symbolic sound of the clocks to the abstract sound of reverb and resonating noise. By using delay and other effects, Smoleński creates a world wherein history comes to a standstill.